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Paul Oestreicher
"Portrait of Alfred Levitt"
Bronze, Edition of 4
17 1/2" H x 11" W x 10" D

Part of the permanent collection of the Cape Ann Historical Museum of Massachusetts (Gloucester, Massachusetts).

Also Available:
"Alfred Levitt"
Bronze, Edition of 3
17 1/2" H x 11" W x 6" D

alfred levitt

alfred levittSculptor Paul Oestreicher works on the clay version of his sculpture "Portrait of Alfred Levitt".

alfred levittSculptor Paul Oestreicher works on the clay version of his sculpture "Portrait of Alfred Levitt".

alfred levittSculptor Paul Oestreicher works on the clay version of his sculpture "Portrait of Alfred Levitt".

alfred levittThe finished clay version of "Alfred Levitt" (left) is shown alongside the finished clay version of "Portrait of Alfred Levitt" (right).

alfred levittSculptor Paul Oestreicher was honored by the AAPL in 2003 with the Leonard J. Meiselman Memorial Award for Traditional Sculpture for his sculpture "Portrait of Alfred Levitt".


Alfred Levitt (1894 - 2000)

Alfred Levitt was born in 1894 in a small town in Belarus. He remembers privation, as well as anti-Semitic antagonism from neighbors and officials. In 1911 his family fled to New York City, settling in east Harlem.

As a young man Levitt received his first art training from the well-known painter Robert Henri. Henri taught at the progressive Ferrer school in Levitt's neighborhood. Through this school Levitt also met some of the important leftist intellectuals of the period such as the activist Emma Goldman, the journalist Leonard Abbott, the novelist Jack London, and the historian Will Durant.

Levitt was too poor for college, but spent many an hour at the New York Public Library, studying and reading widely. He taught himself history, political science, and the history of art.

In the late 1930s Levitt studied painting at the Art Students League and with Hans Hofmann, the most influential teacher of the generation. During World War II Levitt produced cheerful beach scenes, but also politically impassioned works such as anti-Nazi posters.

After the war Levitt, like such artists as Milton Avery, Stuart Davis, and Adolph Gottlieb, spent the summers in Gloucester, Massachusetts, painting its landscapes and fisherfolk.
Levitt's paintings were not in the vanguard style of the period, abstract expressionism. This was a matter of choice on Levitt's part. He was familiar with the new trend but preferred to move in his own direction at his own pace.

In 1949-50 Levitt and his wife took the first of many trips to France, living in the town of St. Rémy in Provence. He was attracted to this area in part because Van Gogh had worked there. Levitt not only visited museums and studied the natural landscape, but also began a two-decade investigation of the prehistoric cave paintings of sites like Lascaux.

Paintings of Levitt's were exhibited regularly at the Whitney Museum of American Art and the Brooklyn Museum through the 1950s. In 1959 through 1962 he and his wife again lived in France, and Levitt founded and taught at the School of Modern Painting in St. Rémy. After this period he painted less and less, turning his energies to his studies and lecturing on cave art,

Paul Oestreicher's sculpture "Portrait of Alfred Levitt" is part of the permanent collection of the Cape Ann Historical Museum of Massachusetts (Gloucester, Massachusetts). In 2003, Paul was honored by the American Artist's Professional League (AAPL) with the Leonard J. Meiselman Memorial Award for Traditional Sculpture for his sculpture "Portrait of Alfred Levitt."


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